10-Month
Manuscript
Program
An Intensive, Virtual Program for Writers Working on Books!
If you're working on a book-length manuscript (any genre) and are looking for a (virtual) program that might support you over a longer period—with opportunities for feedback, community, craft study, generative writing time, and consultations with an author-instructor—our 10-Month Manuscript Program might be for you!
The application period for the 2027 Manuscript Program is open! Those interested are welcome to apply now, or after attending our November 15th virtual Open House (RSVP below)!
Deadline to Apply: December 20, 2026
Interested in the 2027 Manuscript Program?
For those interested in applying to our 2027 program, sign up for email reminders! You can also RSVP to the virtual 11/15 Open House!
Our 2026 instructor lineup is powerful.
Study with award-winning authors in all genres.
What the literary world is saying about our instructors and their writing.
"[BLAIR HURLEY's novel Minor Prophets is] a rich and entertaining novel about a woman, a seeker, whose life, existence and relationships are all centered around a devout Buddhist meditation practice in Boston―until they aren't. I couldn't put it down."
― Anne Lamott, author of Almost Everything: Notes on Hope
"PETER MEDEIROS crafts a compelling and grim mystery where [his main character] finds himself mired in shocking revelations, dangerous intention, and vengeful gods, and it makes for one heck of an adventure."― Charles Payseur, LOCUS
"The voice in [AMIE WHITTEMORE'S] poems is authentic and unguarded. . . . It’s a fresh and beautiful collection that celebrates queerness while also going beyond it to become a work for everyone who’s ever loved and doubted or loved and failed." —Washington Independent Review of Books
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"About halfway through reading [MELENIE FREEDOM FLYNN's essay) "Message from Your Inmate," I stopped breathing, knocked airless by the shockwave of grief and hardship I suddenly saw radiating outward from every incarcerated person in America. This necessary, incendiary essay lays plainly bare an ugly truth about America, where it is now illegal to be poor."
—Author Claire Vaye Watkins, on MELENIE FREEDOM FLYNN's award-winning essay, "Message from Your Inmate"
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“[JULIA MORGAN MCKENZIE's memoir The Book Keeper] is an extraordinary book: about love, inheritance, race, loss, and revelation. By unpacking the story of her father’s past, she in turns unpacks the story of herself, her husband, and the future of her children. This story, neatly told, stands not only as a multi-generational interrogation into a writer’s unfurling past, but also as a fable about the complexity of race in America.” ~Jaed Coffin, author of Roughhouse Friday
What our alumni are saying
​“I started the program with a half-finished manuscript that I'd been working on for...years. I ended the program with a first draft that is almost complete. Wow! I didn't think I'd make so much progress in ten months. The give-and-take with the instructor and the rest of my cohort was the best thing about the program... Workshopping pieces exposed me to a wide range of opinions and brilliant insights from the others in the class. I learned new ways to think about writing, new things to pay attention to. I know this will help me as I start revision.​"
- Connie Senior, Novel First Draft (2024) & Novel Revision (2025)
​“I ended up in Blair Hurley’s fantastic class with a cohort of nine other dedicated and talented writers. Soon after I began, I got an agent and a book deal for my first novel (Sister Creatures, October 2025), and this workshop is the only reason I was well underway on another project as I entered this whirlwind year of book promotion leading up to my debut’s publication. It was an absolute lifesaver!​"
- Laura Venita Green, Author of Sister Creatures
​“Without the support of this program - the structure and community it provides - I would not have been able to complete a first draft of a manuscript within ten months. I am profoundly grateful I took the chance to apply! It's been everything I hoped it would be!​"
- Angela Sweeney, Novel First Draft (2025)
"[The Manuscript Program] is a great place to explore your writing and work in a community of other writers...I love [our instructor's] approach and inter-group communication."
​- Layla Cable, 10-Month Manuscript Program alum (Memoir)
"PVWW's Manuscript Program has changed my writing life. I know the same is true for other people, and I'm so grateful."
- Abby Salois, 10-Month Manuscript Program Alum (Novel)
Our 2027 10-Month Manuscript Program
has 5 sections to choose from:
​Please Note: If you still have questions regarding where your work would best fit even after reading the descriptions for all sections of the program (below), we encourage you to apply, and if accepted into the program, we will place you in a section we think fits your work best. For all questions, you can also email us at at admin@pioneervalleywriters.com.
About the Program: All Sections
Program Cost: $2,600*
*Novel Revision Workshop / Section: $3,800
The 10-Month Manuscript Program at PVWW is for writers (in any genre) who are serious about making big strides on a book-length manuscript, and who would benefit from the structure, guidance, and support of a monthly workshop group. The program is fully virtual, intensive and comprehensive, and was designed in the spirit of building a community of writers committed to supporting each other through the rigorous and sometimes lonely process of completing a draft of a manuscript. Writers who are just beginning with an idea as well as writers who are mid-draft (or ready for revision) would both benefit from the program, but the explicit goal of all workshop sections is to have a finished first draft (or large part of it) at the end of ten months. The program is divided into separate sections (workshop groups) by genre, each workshop limited to 10 writers (8 for Novel Revision) and each section meets virtually twice each month via Zoom. Over the course of the year, writers in the program will be guided to set active, clear goals that will help them both get to the finish line and better understand craft elements related to their genre. Applications open each year in late fall and close at the end of the year. All applicants are notified of their status by the end of January, and the program begins in March and runs through December of that year. The program includes visits by special guests (agents, editors) toward the second half of the year, and culminates in public (virtual) readings for each workshop group wherein writers are invited to read from their manuscripts (if they'd like to).
While each instructor will have their own teaching approach and style, all sections include the following.
Each Month Includes:
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Two Class Meetings Each Month (March-December): Workshop & Generative
Each workshop group in the Manuscript Program meets (virtually) twice each month, for two hours each time (see separate workshop descriptions below for exact meeting days). The first meeting each month is the workshop, where student work is discussed. The second meeting focuses on generative writing as a group, in order to ensure writers have time to write in a structured, supportive environment. The second monthly meeting also aims to give writers a chance to share their in-progress writing briefly and informally, as well as further connect as a cohort with each other and their instructor.
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Manuscript Feedback:
Each writer in the program receives two "floor time" opportunities, where they can receive feedback on their workshop submission, get brainstorming help from the group, or however else they'd like to structure their opportunity for feedback. The concept of "floor time" leaves the nature in which feedback happens up to the writer. Similarly, writers can also opt for a traditional instructor-led workshop floor time if they choose. Instructors will set their own workshop parameters and will discuss how feedback will be given/received, but all writers will receive feedback twice from instructor and classmates **-
Novel Revision: Workshop submissions can be up to 50 pages, plus an outline (so each writer will workshop 100 pages in total)
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Novel First Draft & Memoir: Workshop submissions can be up to 20 pages (so each writer will workshop 40 pages in total)
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Poetry/Hybrid: Instructor will go over details for workshop submissions
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Generative Writing: No formal workshop. Writers will casually share writing in class for encouraging, on-the-spot feedback
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Monthly Craft Talks, Writing Prompts, & Inspiration
Each workshop group in the manuscript Program will have access to a user-friendly online classroom space (Google Classrooms), which provides an easy-to-access hub where writing prompts, generative / exercises, craft lectures, reading assignments, and other materials will be posted monthly by the instructor. Each month, at the start of the month, writers can expect a Craft Talk from their instructor, posted in the Google Classroom, along with any extra inspiration and insights on the month's craft topic. Over the course of the program, instructors may assign books, as part of a deep study and critical thinking about craft.
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Monthly Accountability Buddies​
Each month, the writers in each workshop group of the program will be placed into pairs or small groups (maximum of three writers per group), with the specific assignment to check-in with each other. This may include short conversations, meeting on Zoom, exchanging a few pages of writing, and some instructors will give buddy groups a question or topic to discuss. Some buddy groups choose to meet weekly or check-in multiple times, others just once. The goal of the buddy groups is to offer an added sense of accountability and community over the course of the month, as well as allowing writers to get to know those in their workshop better, and it has consistently been one of the program features that participants enjoy the most.
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One-On-One Instructor Meetings
Each writer in the Manuscript Program will have two opportunities over the course of the program to meet one-on-one with their instructor, to discuss their manuscript in more depth and/or to review their bigger-picture manuscript and writing goals. One of these meetings happens early in the program, so your instructor will be acquainted with your goals early on. ​
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Opportunities to Meet Agents & Publishing Professionals
Every year, in the second half of the program, the Manuscript Program welcomes special guests (agents, editors, publishers) to speak with the writers of the Manuscript Program about publishing paths and the larger industry. We usually have 2 - 3 guests each year, who meet live on Zoom with our writers. The list of special guests will be released in early 2027, before the program begins in March.
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Is this program right for you?
The program is open to writers at all stages of the process, and at a range of different levels, but it does require a rigorous commitment to your work and a clear project in mind that you plan to work on for the entire year (except for the Generative Writing section, which is open to writers who do not have a project in mind). The ideal applicant is someone who is deeply committed to their growth as a writer, their role in a long-term program, as well as to furthering their manuscript; they understand the rigorous nature of this program and they and their work thrive in an environment where feedback is given and received monthly. They are also committed to the mutual nature of workshopping and feedback, and are ready to commit to supporting their classmates.
Questions?
For more program info, including descriptions and outlines of each workshop group, instructor information, important dates, frequently asked questions, eligibility, and application information, scroll down. All program information is on this page. For questions regarding the overall program (and not specific workshops) you can also email us at at admin@pioneervalleywriters.com.
PVWW 10-Month Manuscript Program
Novel (First Draft)
10 Months: March - December, 2027 • First & Third Mondays on Zoom (6 - 8 pm EDT) • $2,600
10-Month Novel Workshop: First Draft with Blair Hurley OR Peter Medeiros
This workshop section of the Manuscript Program is for fiction writers who are working on their first draft of a full length manuscript. Writers who are just beginning with an idea as well as writers who are mid-draft would both benefit, but the explicit goal is to have a finished first draft, ready for the first stage of revision, by the end of the year. This course meets over zoom once a month for three hours, in small accountability buddy groups of 2-3 people at least once between meetings (but often participants opt to meet more frequently), and participants are in regular contact via a virtual classroom space. Over the course of the year, we'll set active, clear goals that will help participants both get to the finish line of their first draft and better understand craft elements in novel writing, such as character development, structure, plot, scene construction, and more. Each month, writers will be offered a slew of prompts, writing exercises, craft lectures, discussion questions, and readings designed to maintain momentum, solidify a regular writing practice, and provide support around all of the highs and lows of the novel writing process. Each participant will have two opportunities to share fresh pages of their novel with the group (20-pages each time), who will then support the writer by providing encouraging feedback, reflect back to them what they see happening thematically on the page, brainstorm with the writer about possible plot choices, and offer general support in moving forward. Writers should be prepared to read and discuss up to five novels over the course of the year, as well as craft readings, as assigned by the instructor. For more details about what this course entails, including overall features of the program, see the above About the Program section. Limited to 10 writers.

BLAIR HURLEY is the author of THE DEVOTED, which was longlisted for The Center for Fiction's First Novel Prize. Her second novel, MINOR PROPHETS will be published in 2023. Her work is published in New England Review, Electric Literature, The Georgia Review, Guernica, Paris Review Daily, West Branch, and elsewhere. She is a Pushcart Prize winner and an ASME Fiction award finalist.
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Blair Hurley's Course Outline and Topics Covered
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MARCH: Story structure / The shapes of novels
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APRIL: Language and Voice
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MAY: Laying the Foundation
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JUNE: Character / Developing Narrative Urgency
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JULY: Scene-writing
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AUGUST: Perspective
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SEPTEMBER: Activating Setting
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OCTOBER: Finding the Heart of Your Story
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NOVEMBER: Novel Outlining
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DECEMBER: Finding Your Ending

PETER MEDEIROS teaches writing and Kung Fu--though never at the same time. His teaching in and around Boston remains a major inspiration for much of his fiction. He received his MFA in Creative Writing from Emerson College. He has been publishing fiction since 2013, and was most recently featured in Analog Science Fiction and Fact and the Witches Save the World! anthology. His collection of fiction, EXTINCT IN THE WILD, is forthcoming from Pen & Anvil Press.Find him online at www.PeterMedeiros.com.
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Course Outline and Topics Covered​
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MARCH : Character & Entry Action
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APRIL: Character & "The Cast"
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MAY : Plot, Escalation, Scene, Summary, "Bears," & Everything Else
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JUNE: Dialogue & "What Goes Unsaid"
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JULY: Point of View, or "What You Know"
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AUGUST: Mysteries, or "What You Don't Know"
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SEPTEMBER: The World of Your Novel
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OCTOBER: Time (Isn't the Main Thing); Theme
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NOVEMBER: How to Say Goodbye (& Endings)
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DECEMBER: Revision, Querying, & The Future
PVWW 10-Month Manuscript Program
Novel (Revision)
10 Months: March - Dec, 2027 • First & Third Wednesdays on Zoom (6 - 8 pm EDT) • $3,800
10-Month Novel Workshop: Revision Instructor TBA
This workshop is for fiction writers who have finished a complete draft of a full-length manuscript and are looking for support and structure in the revision process. The explicit goal of this course is to complete one full revision of a completed draft of a manuscript. All participants and the instructor will read up to 90K words of each others’ full manuscripts over the course of the year, and each writer will have two opportunities to discuss their manuscript with the entire group, where they will receive written and verbal feedback. Writers will meet with the instructor for two one-on-one hour-long sessions, one of which will focus on deep verbal feedback and recommended approaches to revision of their full manuscript, and the other on discussing up to 6,000 words of revised material. This course meets over Zoom once a month for three hours, in small accountability buddy groups of 2-3 people at least once between meetings, and is in regular contact via a virtual classroom space. Over the course of the year, we'll set active, clear goals that will help participants both get through a full revision and better understand craft elements in novel writing, such as character development, structure, plot, scene construction, and more. Each month, writers will be offered a set of linked, progressive exercises geared toward helping them as they revise, a slew of prompts and writing exercises geared toward re-writing necessary sections of the book or reworking existing pages, craft lectures, discussion questions, and readings designed to maintain momentum, solidify a regular writing practice, and provide support around all of the highs and lows of the novel revision process. Writers should be prepared to read and discuss up to four novels over the course of the year, as well as craft readings, as assigned by the instructor. For more details about what this course entails, including overall features of the program, see the above About the Program section​.
Limited to 8 writers.
Course Outline and Topics Covered​
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MARCH : How theme drives story / Intro to reverse outlining / Finding the heart of your book
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APRIL: Plot / Story Arc and narrative tension / Seeing your novel's bigger picture
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MAY : Characterization techniques / Using the reverse outline to bring characters to life
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JUNE: Perspective / Narrative Strategy / Choosing the right narrator
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JULY: Scene writing techniques / How to decide when to cut or write new scenes
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AUGUST: Using your narrator to summarize, provide context, and manage time
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SEPTEMBER: Writing authentic and dramatic dialogue
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OCTOBER: Structure and organization / Experimenting with timelines
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NOVEMBER: Subtext, using specific details, and place / How to know when you’re finished
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DECEMBER: Beginnings and endings / How to query agents and ways to publish
PVWW 10-Month Manuscript Program
Poetry / Hybrid
10 Months: March - Dec, 2027 • ​First & Third Thursdays, on Zoom (6 - 8 pm EDT) • $2,600
10-Month Poetry/Hybrid Workshop
with ​Amie Whittemore
This workshop is designed for poets and hybrid writers who have a manuscript in progress, plus those who have a vision but are just beginning. Poetry projects may be in a wide range of verse and poetry forms. Hybrid projects may be those that mix or experiment with forms. This may include mixed prose/poetry texts, experimental or poetry-based memoir or essay, mixed visual/language texts, and poetic or lyric essays which stretch the boundaries of traditional or popular prose-based creative nonfiction.* ​In studying poetry and hybrid forms together, we'll see the vast and exciting overlaps between these terms, both in historical context and in practice. In addition to work on our own manuscripts, we'll read about and discuss traditions in lyric and narrative poetry, prose poetry, fixed and free verse, hybrid and cross-art, and more. Students can expect to read numerous monthly excerpts and five short books. Students’ goal for the end of the year will be a working first draft of either one or more chapbook-length (approx. 30 pages) or full-length (approx. 60-70 pages) manuscript (or a wide range of pages for uncategorizable or hybrid work.) For more details about what this course entails, including overall features of the program, see the above About the Program section​. ​Limited to 10 writers.
*Creative nonfiction writers working in more traditional or general prose-style should apply to the nonfiction workshop (course description below, on this page).

AMIE WHITTEMORE (she/her) is the author of four poetry collections, most recently the chapbook Hesitation Waltz (Midwest Writing Center). She was the 2020-2021 Poet Laureate of Murfreesboro, Tennessee, and an Academy of American Poets Laureate Fellow. Her poems have won multiple awards, including a Dorothy Sargent Rosenberg Prize, and her writing has appeared in Blackbird, Colorado Review, Terrain.org, Pleiades, and elsewhere. She teaches creative writing at Eastern Illinois University.
Course Outline and Topics Covered​
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MARCH: We’ll ask the big questions: What, why, where, and how is poetry and/or hybrid? What’s the nature of genre and form? What are lyricism and narrative?
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APRIL: We’ll build on our ideas by looking at prose poetry, plus an introduction to the lyric essay and proto-hybrid texts from long ago.
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MAY: We’ll study the nature of poetic or hybrid fragmentation on the page, what its purposes might be in regards to creating an “experiential” text, and what happens when form and content mirror one another.
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JUNE: We’ll explore a bit of the history of poetry/hybrid/experimental writing as a sociopolitical statement, particularly sociopolitical concepts like non-binary identities or postcolonialism.
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JULY: We’ll see free verse as a way to represent the mind’s natural flow of language on the page, plus continue lyric essay explorations.
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AUGUST: We’ll touch on the idea of the “anti-memoir” and experimental memoir, plus some mixed-media possibilities and contemporary epistolary forms.
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SEPTEMBER: We’ll see mixed media possibilities, such as visual-poetry texts, plus creative use of writing that’s not ours, like found poetry, black-outs, white-outs, and “creative plagiarism."
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OCTOBER: We’ll look further at using the stuff of real life to create a text. We’ll do some preliminary revision explorations, including how to “order” and organize a manuscript.
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NOVEMBER: We’ll review and deepen core concepts from class, plus experiment with revision exercises, with attention to sharpening detail, word choice, and voice.
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DECEMBER: We’ll do a basic overview of the practicalities and realities of publishing poetry and hybrid work, plus reflect on where we’ve been, where we’re at, and where we’d like to go.
PVWW 10-Month Manuscript Program
Generative Writing (All Genres)
10 Months: March - Dec, 2027 • Second & Fourth Tuesdays on Zoom (6 - 8pm EDT) • $2,200
This workshop is designed for writers of any genre looking to create regular writing time and commit to a longer-term writing practice. As writers, we want more than anything to be writing, and yet, the pages remain blank as days and weeks tumble by. One of the most effective ways to make space to write is to join a supportive and inspiring community of writers for focused writing time. The Generative Writing section of PVWW's Manuscript Program is for writers of any level and genre, whether you’re just starting out or publishing frequently, and whether you’re writing short stories, novels, poems, memoirs, essays — or if you don’t know yet what you’re writing. We'll focus on acquiring craft tools to help you increase your focus and confidence as a writer. It’s magical how much writing can happen in short, focused periods of time when we show up for ourselves and each other. For more details about what this course entails, including overall features of the program, see the above About the Program section​. ​Limited to 10 writers.
The 10-Month Generative Writing Workshop includes all the features of the 10-month manuscript program, including the live monthly session, interaction throughout the month via a dedicated virtual classroom space, accountability buddies, monthly, write-ins, and one-on-one instructor meetings. *** Though Please Note: This is not a manuscript critique group — we will not be workshopping manuscript pages — rather, this is a dedicated space each month to write in a supportive and inspiring community of peers.
Each three-hour monthly session includes:
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Discussion and breakdown of craft topics
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Time to connect with your fellow writers
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In-session writing time
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Opportunities to read your work aloud for supportive responses

MELENIE FREEDOM FLYNN's memoir-in-progress is currently being supported by grants from the Elizabeth George Foundation and Massachusetts Cultural Council. She is the recipient of a MacDowell Fellowship, Djerassi Artist-in-Residence Fellowship, Atlantic Center for the Arts Residency, and scholarships to the Community of Writers Workshop. Her essay “Message from Your Inmate” won the annual nonfiction contest at Vela Magazine and her recent work can be seen in Provincetown Arts Magazine and the Straw Dog Pandemic Poetry and Prose Journal. A graduate of the MFA Acting Program at California Institute of the Arts, Melenie has performed in theatres across the country including the New York Theatre Workshop, the Kitchen (NY), Wellfleet Harbor Actors Theatre (MA), and Majestic Theatre (MA). Visit her online at meleniefreedomflynn.com.
Monthly Schedule of Craft Topics​
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MARCH: Getting started —Why do we write? What lights a fire inside us and inspires us to keep going? “I always start with questions I can’t answer,” writes author Barabara Kingsolver. The answer is as individual as each person. How do we show up fully for ourselves as writers and commit to getting words down on the page?
APRIL: Saying yes — How do we clear the way for our authentic voice to come through? How do we listen deeply to our quiet voice inside and encourage it to speak on the page?
MAY: Perfectionism, permission, and other monsters — As writers, we all have our version of the internal critic that shows up to judge us as we are writing. How do we work with our internal voices of judgement that keep us from going further in our writing?
JUNE: Sensorial time travel — A particular smell (or song, or taste) can catapult us back in time to an experience like it was yesterday. How can we use this time-travel ability to deepen the sensorial elements in our writing?
JULY: Listening and noticing — We are surrounded by stories all day, every day. How can we pay attention in a deeper way, and bring what we’re noticing back to the page?
AUGUST: I said . . . You said — What are the elements of dialogue that lifts up off the page? How do we bring spoken voices to life in our story?
SEPTEMBER: Point of view — First person, second person, third person? Omniscient, limited, objective? Through experimentation, discover which point of view best unfolds the story.
OCTOBER: Where is this all going? — How much do we need to know about where we are going with our writing? Do we plan structure, or does it emerge?
NOVEMBER: Revision and editing — Through revision and editing, how do we take away what’s not needed, and add what is? How do we keep turning the dial of the kaleidoscope until a clear vision comes into focus?
DECEMBER: Shining the light forward — How can we be kind and patient with ourselves when navigating choppy waters in our writing? What are ways we can create a practice and community that will sustain and inspire us going forward?
PVWW 10-Month Manuscript Program
Memoir
10 Months: March - Dec, 2027 • First & Third Tuesdays, on Zoom • $2,600
10-Month Memoir Workshop
with ​Julia Morgan McKenzie
This workshop is designed for memoirists who have a manuscript in progress as well as for those who have a ‘body of work’ they can identify as a ‘possible manuscript.’ In this section of the Manuscript Program, we’ll discuss the history of the memoir genre and study memoir-writing techniques by reading and analyzing a mix of craft essays and stellar works of personal narrative, including three to four book-length memoirs that represent different stylistic and organizational approaches to the form. Alongside our active reading and discussion, we’ll find structure and purpose in our own work by defining clear individualized writing goals, doing regular generative exercises, and providing consistent and thoughtful feedback on each other’s pages. By the end of the year, participants will have drafted a substantive manuscript, portions of which may be ready for submission for publication. Equally important, each writer will have sharpened their vision and parameters for the book they’re writing and expanded their toolkit for bringing their project to fruition. ​For more details about what this course entails, including overall features of the program, see the above About the Program section​.
Limited to 10 writers.

JULIA MORGAN MCKENZIE went to Bard College before earning a master’s in education at Harvard and—many years later—an MFA at Stonecoast.
Her first book, The Book Keeper: A Memoir of Race, Love, and Legacy (Swallow Press, 2020, published under her married name) was called “a carefully crafted memoir for all readers who care about family connections and legacies and about multiracial identity in an increasingly complex world” by Library Journal. Her essays have appeared in Electric Literature, The Masters Review, Solstice Literary Magazine, Inside Higher Education, and elsewhere. She is hard at work on her second memoir, about mid-motherhood and the sudden end of her long marriage. She directs the Williams College Writing Center and lives in western Massachusetts.
Memoir Course Outline and Topics Covered (2025 Syllabus, 2026 Syllabus TBA)
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MARCH: Speaking our truth — What is memoir today? Why do we read memoirs? Why are we drawn to tell our stories? What is possible in memoir?
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APRIL: Freeing our natural voice — How do we clear the way for our authentic voice to come through? How do we listen deeply to our quiet voice inside and encourage it to speak on the page? Who are we speaking to?
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MAY: Sensorial time travel — A particular smell (or song, or taste) can catapult us back in time to an experience like it was yesterday. How can we use this time-travel ability to deepen the sensorial elements in our writing?
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JUNE: Widening the lens — What urgent questions are we compelled to ask through writing memoir? When writing about our own experiences, how do we gain the perspective to see the big picture?
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JULY: Talking the talk — What are the elements of dialogue that lifts up off the page? How do we bring spoken voices to life in our story?
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AUGUST: Building the boat for the story to travel forward — What structure supports our story? Do we plan structure, or does it emerge? How does the character of us in our memoir change?
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SEPTEMBER: Seeing the world with new eyes — Through revision and editing, how do we take away what’s not needed, and add what is? How do we keep turning the dial of the kaleidoscope until a clear vision comes into focus?
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OCTOBER: Reading out loud — When stepping up to the microphone to read our work, how do we want to show up? How do we connect with our audiences in ways that are authentic to us?
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NOVEMBER: Sending our story into the world — Whether we’re beginning the process of query letters, residency applications, or literary magazines, we’ll make a plan for next steps.
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DECEMBER: Help along the way — How can we be kind and patient with ourselves when navigating choppy waters in our writing? What are ways we can create a practice and community that will sustain and inspire us going forward?
Important Program Information
All Manuscript Workshop Groups will meet virtually throughout the year and are open to writers everywhere. There are no in-person meetings or commitments. All groups begin in March and run through December of 2027 (see complete 2027 Program Calendar below, for all important dates)
Application Opens:
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October 2026
Deadline to Apply:
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December 20, 2026 (by 11:59 PM ET)
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Cost​:
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Novel Revision Workshop: $3,800​
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All other 10-Month Manuscript Program Workshops: $2,600​
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Tuition due (via check or online payment):
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Initial $500 deposit due in January/February (exact date for 2027 TBA)
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Remaining balance due at the end of February (exact date for 2027 TBA)
Financial Aid:
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We do not have financial aid available for this program. However, if you can only attend with partial aid, you are welcome to apply and mention that on your application, as in rare cases we have been able to offer "stand by" financial aid. However, this should not be expected and does not happen often or for all workshops. If you apply and let us know that you can only attend with aid, please know that we will offer you a spot in your first choice workshop only if we are also able to offer aid.
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Payment Plans:​
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We have the ability to accept payment through PayPal's PayLater, which allows payment in several smaller installments. However, please note that if you use PayLater, any specific questions you have regarding billing or payments will need to be directed to PayPal, not PVWW. If you are interested in this, you can let us know on the application, and we will share more information if/when you are accepted into the program.
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Refund Policy:
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Because spots in each section of the program are limited and often in demand, we are not able to offer refunds for withdrawals from the program after payment has been made. All deposits and tuition are final and nonrefundable. We are not able to grant exceptions to this.
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Program Orientation and Virtual Welcome Party*:
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Date TBA (though usually mid-February). *PVWW will welcome you to the program! Writers will meet others from different sections of the program, have an opportunity to ask questions, and meet in small groups (all virtually) with their instructor and classmates for the first time.
Still have questions? Contact us at admin@pioneervalleywriters.com.
Eligibility and Requirements
Is this program right for you and your manuscript? The ideal applicant will have the following:
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A clear project in mind (or already begun): All participants in our manuscript group program are expected to have a clear, concrete project they are interested in working on and developing over the course of the year. The project can be at any stage of development, including early in the first draft, but in order to be admitted into the program, you MUST have a clear, coherent project you are eager to work on.
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Commitment to all aspects of the program: All participants must be willing to give and receive feedback on their own and others' work in a kind, thoughtful, and respectful manner, as well as attend workshops regularly, complete assignments, and regularly engage with the group and the course materials for a full year. A commitment to working regularly on your manuscript is also required. Each workshop group offers a virtual Google classroom space that is regularly updated with relevant materials, readings, and resources, and workshop participants should plan on regular engagement with the Google classroom. The ideal applicant will be deeply engaged with all aspects of the program and willing and able to put in the requisite time into thoughtful feedback on their peers' writing, engagement with the course materials in Google Classrooms, engagement with their assigned accountability buddy each month, reading and preparation, as well as advancing their own manuscript. Consequently, we are looking for applicants who are comfortable with and thrive in a rigorous program.
Other requirements:
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Non-discrimination: The program welcomes writers of all levels, genres, backgrounds, races, colors, national or ethnic origins, ages, religions, disabilities, sexual orientations, gender identities and expressions, and veteran statuses. The program and PVWW prohibit all discrimination against/harassment of any writer (instructor or classmate) on the basis of any of the above.
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Computer use: All participants must be comfortable with basic computer use, including attending meetings on Zoom, frequent emailing, attaching documents in email, and correct formatting of submitted pages. Each group will also have an online classroom where materials will be posted and shared, so basic comfort with computer use and/or a willingness to explore and learn will be helpful. While participants may not be familiar with Google Classrooms, they must be comfortable and willing to learn, including asking for and seeking out help outside of the program if needed, as the sharing of materials will happen exclusively through Google Classrooms.
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Applicants with disabilities: We do everything we can to accommodate participants who need extra assistance, though we are not able to offer typing services, direct computer or tech support, or alternatives to screen use. If you are wondering if/how we can accommodate you, please don't hesitate to get in touch and ask! You can email us at us at admin@pioneervalleywriters.com.
A complete application to the program includes the following:
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A completed application form (see below link).
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A work sample of approximately 1000 words (or 5 pages) in standard formatting (double-spaced, Times New Roman, 12 point font) from the project you plan to work on, or a project in the same genre, attached to the application as a .doc, .docx, PDF, or copied/pasted into the application directly. Please make sure your work sample has your name, email address, genre of work, and workshop to which you are applying listed at the top of the document.
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For any questions regarding the application, please email us at admin@pioneervalleywriters.com.
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